Doctor of Philosophy, Full Professor of Philosophy at the University of the Balearic Islands from 2002 to the present. Co-founder and Editor of Constellations. Journal of Critical Theory (2009-2019). Co-founder and Vice-President of the Society of Critical Theory Studies. Member of the Research Group on Modern and Contemporary Scientific and Philosophical Thought (F&C) of the UIB. Interested in Critical Theory, especially Marx, Adorno and negative aesthetics

Adorno appropriating Freud: the critique of the concept of the unconscious in the thesis of 1927', Daimon, 73 (2018), pp. 55-66.

https://doi.org/10.6018/daimon/244781

Semi-formative character of audiovisual media: the empirical investigations of Theodor W. Adorno on television, Pensamiento. Journal of Philosophical Research and Information, 72 (2016), pp. 1157-1174.

https://doi.org/10.14422/pen.v72.i274.y2016.005

The 'modern discovery of orality' and audiovisual media, Remate de Males, 35 (2015), pp. 165-176.

https://doi.org/10.20396/remate.v35i1.8641511

Interpret in philosophy. On the contemporary relevance of Marx's Theses on Feuerbach, in: Fernández García, B.; Gómez-Quiñones, A. (eds.), The red magnifying glass: Essays on hermeneutics and Marxism. Buenos Aires: Teseo, 2018, pp. 55-74

This text analyzes Marx's 'Theses on Feuerbach' and the importance of the first of these theses, the one that signals the social character and, therefore, the individual's becoming. This thesis frames Marx's materialism, which he will share with Freud and of which the need for interpretation is part.