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Dr María Sonsoles Hernández Barbosa

personal.uib.eu/sonsoles.hernandez
Dr María Sonsoles Hernández Barbosa
Tenure-track contract Lecturer with a PhD
History of Art

Dr María Sonsoles Hernández Barbosa

personal.uib.eu/sonsoles.hernandez

Curriculum

Brief CV

Sonsoles Hernández Barbosa is tenure-track contract lecturer at the department of Historical Sciences and Art Theory at the University of the Balearic Islands (Spain). Graduated in both Art History and Musicology, she obtained her PhD at the Université de Paris-Sorbonne and Universidad Complutense de Madrid (PhD Extraordinary Prize). She has specialized in the study of fin de siècle interartistic relationships. She has published the monographs Sinestesias. Arte, literatura y música en el París fin de siglo, 1880-1900 (Abada, 2013) and Un martes en casa de Mallarmé. Redon, Debussy y Mallarmé encontrados (Editorial Complutense, 2010), and papers in journals such as Visual Studies, Acta musicologica, French Cultural Studies, Bulletin of Spanish Studies, Revista de Estudios Hispánicos (Washington University in St. Louis) and The Senses & Society. Currently, her research is focused on the sensory conditions of modernity. Within the framework of this project, she has been awarded with a 2018 Library Research Grant from the Getty Research Institute, Los Angeles.

More information

Teaching

Office Hours

Lecturer Tutorial Times
Start Date End Date Day Start Time End Time Location
25/03/2019 31/05/2019 Wednesday 16.00 17.00 Despatx AC 03

Subjects taught. Academic Year 2018-19

Subjects taught
Subject Degree/campus
20297 - 19th and 20th century art in Spain
20268 - Critical, Theoretical and Methodological Knowledge of the History of Art
20279 - Final Degree Project
20252 - Reading and Analysis of Art and Architecture
10292 - Introduction to Cultural Heritage
10316 - Practical: Professional placement in cultural institutions in the Balearic

Teaching, 5 previous years

Subject Degree
10292 - Introduction to Cultural Heritage
  • Master's in Cultural Heritage: Research and Management 2017-18
10300 - Tourism and Cultural Heritage
10316 - Practical: Professional placement in cultural institutions in the Balearic
  • Master's in Cultural Heritage: Research and Management 2016-17, 2017-18
1793 - XIX and XX Century Art in Spain
  • History of Art 2013-14
20252 - Reading and Analysis of Art and Architecture
  • Degree in Geography 2013-14, 2014-15, 2015-16, 2016-17
  • Degree in History of Art 2013-14, 2014-15, 2015-16, 2016-17
20264 - Materials, Procedures and Artistic and Architectonic Techniques
  • Degree in History of Art 2016-17
20268 - Critical, Theoretical and Methodological Knowledge of the History of Art
  • Degree in History of Art 2015-16, 2016-17, 2017-18
20279 - Final Degree Project
  • Degree in History of Art 2017-18
20288 - Introduction to the History of Art 2: Modern & Contemporary
  • Degree in History of Art 2016-17
20297 - 19th and 20th century art in Spain
  • Degree in History of Art 2016-17, 2017-18
20531 - Final Degree Project
  • Degree in Tourism2014-15, 2015-16

Research

Research groups

Group Membership type
Audiovisual heritage, mass-media and illustration (PAMMI) Member

Líneas de investigación

Cultural history of modernity, fin-de-siècle aesthetics, history of aesthetic ideas 19th-20th Centuries, interartistic relationships

Publications

Single-authored books

Sinestesias. Arte, literatura y música en el París fin de siglo (1880-1900). Madrid: Abada editores, 2013, 336 p.

Miniaturas de Eugenio Granell. Música revelada. Santiago de Compostela: aCentral Folque, 2012, 112 p.

Un martes en casa de Mallarmé. Redon, Debussy y Mallarmé encontrados. Madrid: Servicio de Publicaciones Universidad Complutense de Madrid; Editorial Complutense, 2010, 120 p. (winner of Dámaso Alonso essay prize).

Papers in peer-review journals

"Del dandy al esteta: el cultivo de la sensibilidad entre lo individual y lo colectivo". Quintana (accepted).

"Los discursos en torno a la sensorialidad en el fin de siglo: Luis Simarro y su lectura holística del ser humano, entre lo individual y lo colectivo". Bulletin of Spanish Studies (6th June 2017). 

"Beyond the visual: panoramatic attractions in the 1900 World?s Fair". Visual Studies, vol. 32, n. 4 (2017), p. 359-370.

"Au-delà d'une esthétique. Le rôle des arts (peinture, musique, littérature) au sein de la philosophie symboliste". French Cultural Studies, vol. 26, n. 3 (August 2015), p. 247-259.

"La 'question Mallarmé': relecturas y querellas en torno al poeta en la Francia de la década de 1960". Cédille. Revista de estudios franceses, n. 11 (April 2015), p. 251-271.

"1900 World's Fair or the Attraction of the Senses: The Case of the Maréorama". The Senses and Society, vol. 10, n. 1 (Spring 2015), p. 39-51. 

"Discursos sobre la sensorialidad en el fin de siglo español: del krausismo a la ciencia experimental". Revista de Estudios Hispánicos (Washington University in St. Louis), vol. 48, n. 2 (2014), p. 285-305.

"Arabescos, textos y contextos. Apuntes para el estudio del pensamiento sinestésico en el París finisecular". Revista de Musicología, vol. 33, n. 1-2 (2010), p. 527-540.

"De la 'obra de arte total' a la 'fusión interior': la música en el modelo de correspondencias artísticas de Camille Mauclair". Acta Musicologica, vol. 81, n. 2 (2009), p. 275-300.

"'Plus loin que la musique': evocaciones plásticas en el pensamiento estético de Claude Debussy". Quintana, n. 8 (2009). Issue's subject: "The voice of Galatea: sonorous images", p. 135-145. 

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