Dr María Sonsoles Hernández Barbosa
- 971173269 (3269)
- Despatx AC03planta baixaRamon Llull
Curriculum
Brief CV
Associate professor at the department of Historical Sciences and Art Theory at the University of the Balearic Islands (Spain). Graduated in both Art History and Musicology, she obtained her PhD at the Université de Paris-Sorbonne and Universidad Complutense de Madrid (PhD Extraordinary Prize). She has specialized in the study of fin de siècle interartistic relationships. She has published the monographs Sinestesias. Arte, literatura y música en el París fin de siglo, 1880-1900 (Abada, 2013) and Un martes en casa de Mallarmé. Redon, Debussy y Mallarmé encontrados (Editorial Complutense, 2010), and papers in journals such as Visual Studies, Acta musicologica, French Cultural Studies, Bulletin of Spanish Studies, Revista de Estudios Hispánicos (Washington University in St. Louis) and The Senses & Society. She has recently published the book entitled Vidas excitadas. Sensorialidad y capitalismo en la cultura moderna (Sans Soleil, 2022) in which she explores the role of the senses in the origin of mass culture. Within the framework of this project, she was awarded with a 2018 Library Research Grant from the Getty Research Institute, Los Angeles. She is an affiliate professor at the Visual Studies Research Institute of the University of Southern California.
More information
Teaching
Office Hours
Start Date | End Date | Day | Start Time | End Time | Location |
---|---|---|---|---|---|
09/09/2024 | 20/12/2024 | Tuesday | 12.00 | 13.00 | AC03 |
Subjects taught. Academic Year 2024-25
- 20297 - 19th and 20th century art in Spain. Degree in History of Art - Majorca.
- 20268 - Critical, Theoretical and Methodological Knowledge of the History of Art. Degree in History of Art - Majorca.
- 20279 - Final Degree Project in History of Art. Degree in History of Art - Majorca.
- 20252 - Reading and Analysis of Art and Architecture. Degree in Geography - Majorca.
- 20252 - Reading and Analysis of Art and Architecture. Degree in History of Art - Majorca.
- 10317 - Master's Thesis. Master's Degree in Cultural Heritage: Research and Management.
- 10316 - Practical: Professional placement in cultural institutions in the Balearic Islands. Master's Degree in Cultural Heritage: Research and Management.
Thesis advising
Teaching, 5 previous years
Subject | Information |
---|---|
10316 - Practical: Professional placement in cultural institutions in the Balearic Islands |
|
10317 - Master's Thesis |
|
20252 - Reading and Analysis of Art and Architecture | |
20268 - Critical, Theoretical and Methodological Knowledge of the History of Art | |
20279 - Final Degree Project in History of Art | |
20288 - Introduction to the History of Art 2: Modern & Contemporary |
|
20297 - 19th and 20th century art in Spain |
Research
Research groups
Group | Membership type |
---|---|
Audiovisual heritage, mass-media and illustration (PAMMI) | Member |
Specialties
Líneas de investigación
Cultural history of modernity, fin-de-siècle aesthetics, history of aesthetic ideas 19th-20th Centuries, interartistic relationshipsOther research groups
Grup de Recerca en Històrica de l'Art i del Disseny Contemporanis (GRACMON)Publications
Single-authored books
Vidas Excitadas. Sensorialidad y capitalismo en la cultura moderna. Vitoria-Gasteiz: Sans Soleil, 2022 (in press).
Sinestesias. Arte, literatura y música en el París fin de siglo (1880-1900). Madrid: Abada editores, 2013, 336 p.
Miniaturas de Eugenio Granell. Música revelada. Santiago de Compostela: aCentral Folque, 2012, 112 p.
Un martes en casa de Mallarmé. Redon, Debussy y Mallarmé encontrados. Madrid: Servicio de Publicaciones Universidad Complutense de Madrid; Editorial Complutense, 2010, 120 p. (winner of Dámaso Alonso essay prize).
Edited books
(coedited with Irene Gras Valero): La sensibilidad de la metrópolis moderna: imaginarios estéticos y espectáculos visuales. Barcelona: Edicions de la Universitat de Barcelona, 2021. Colección: Singularitats, sello de calidad en Edición Académica CEA-APQ.
Papers in peer-review journals
“Los peligros de la sobrestimulación en la metrópolis moderna: Georg Simmel y su lectura del nuevo urbanita”. Arbor. Ciencia, pensamiento, cultura, vol. 195, n. 791 (January-March 2019), a497.
"Del dandy al esteta: el cultivo de la sensibilidad entre lo individual y lo colectivo". Quintana, n. 16 (2017), p. 239-252.
"Los discursos en torno a la sensorialidad en el fin de siglo: Luis Simarro y su lectura holística del ser humano, entre lo individual y lo colectivo". Bulletin of Spanish Studies (6th June 2017).
"Beyond the visual: panoramatic attractions in the 1900 World’s Fair". Visual Studies, vol. 32, n. 4 (2017), p. 359-370.
"Au-delà d'une esthétique. Le rôle des arts (peinture, musique, littérature) au sein de la philosophie symboliste". French Cultural Studies, vol. 26, n. 3 (August 2015), p. 247-259.
"La 'question Mallarmé': relecturas y querellas en torno al poeta en la Francia de la década de 1960". Cédille. Revista de estudios franceses, n. 11 (April 2015), p. 251-271.
"1900 World's Fair or the Attraction of the Senses: The Case of the Maréorama". The Senses and Society, vol. 10, n. 1 (Spring 2015), p. 39-51.
"Discursos sobre la sensorialidad en el fin de siglo español: del krausismo a la ciencia experimental". Revista de Estudios Hispánicos (Washington University in St. Louis), vol. 48, n. 2 (2014), p. 285-305.
"Arabescos, textos y contextos. Apuntes para el estudio del pensamiento sinestésico en el París finisecular". Revista de Musicología, vol. 33, n. 1-2 (2010), p. 527-540.
"De la 'obra de arte total' a la 'fusión interior': la música en el modelo de correspondencias artísticas de Camille Mauclair". Acta Musicologica, vol. 81, n. 2 (2009), p. 275-300.
"'Plus loin que la musique': evocaciones plásticas en el pensamiento estético de Claude Debussy". Quintana, n. 8 (2009). Issue's subject: "The voice of Galatea: sonorous images", p. 135-145.
Book chapters
“Placer y malestar. (Hiper)estimulación sensorial en la ciudad espectáculo”. La sensibilidad de la metrópolis moderna: imaginarios estéticos y espectáculos visuales. Barcelona: Edicions de la Universitat de Barcelona, 2021.
“L’universo a scala umana. L’esperienza immersiva del Globo celeste nell’Esposizione universale del 1900”. Atmosfere. Esperienze immersive nell’arte e al museo. J. Arnaldo, S. Costa, D. Poulot, A. Rosellini (eds.). Bologna: Bononia University Press, 2021: 151-164.
“El dandi en la ciudad moderna: singularización y popularización a través de los sentidos”. La dimensió escènica de la ciutat moderna. Les condicions de l’oblit i del reconeixement. Enric Ciurans; Nuria Peist (eds). Barcelona: Edicions de la Universitat de Barcelona, 2019, p. 135-148.
“Paul Verlaine et Claude Debussy, esthétiques convergentes ou divergentes ?”. Actes du Colloque international ‘Littérature et Musique. Musique et Littérature au XXe siècle. Valeurs universelles et approches transculturelles’. Lyon: Université Jean Moulin – Lyon 3, 2011, p. 95-106.